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If this is your first visit, welcome! This site is devoted to my life experiences as a Filipino-American who immigrated from the Philippines to the United States in 1960. I came to the US as a graduate student when I was 26 years old. I am now in my early-80's and thanks God for his blessings, I have four successful and professional children and six grandchildren here in the US. My wife and I had been enjoying the snow bird lifestyle between US and Philippines after my retirement from USFDA in 2002. Please do not forget to read the latest national and International News in this site . I have also posted some of my favorite Filipino and American dishes and recipes in this site. Some of the photos and videos in this site, I do not own. However, I have no intention on infringing on your copyrights. Cheers!

Thursday, October 21, 2010

History of the World-Part 1 Movie by Mel Brooks


It is time for nostalgia. I have seen this movie and I enjoyed it very much, I decided to share it with you, just in case you have not seen it. Part 2 to 9 and the musical Inquisition are in the related videos in the Part 1.

History of the World, Part I is a 1981 film written, produced and directed by Mel Brooks. As he does in many of his other films, Brooks also gives himself a great deal of time in front of the camera, this time playing five roles: Moses, Comicus the stand-up philosopher, Tomás de Torquemada, King Louis XVI, and Jacques, le garçon de pisse. The large ensemble cast also features Sid Caesar, Shecky Greene, Gregory Hines (in his film debut), Charlie Callas; and Brooks regulars Dom DeLuise, Madeline Kahn, Harvey Korman, Cloris Leachman, Andreas Voutsinas, and influential Irish comedy writer/actor and former Goon Show star Spike Milligan. The film also has cameo appearances by Royce D. Applegate, Bea Arthur, Hugh Hefner, John Hurt (as Jesus Christ), Barry Levinson, Jackie Mason, Paul Mazursky, Andrew Sachs and Henny Youngman, among many others. Orson Welles narrates the film, and briefly appears on screen in that capacity. Despite carrying the title Part 1, this movie does not come with a sequel.


Plot
The film’s story is a parody of the “historical spectacular” film genre, including the “sword and sandal epic” and the “period costume drama” sub-genres. The four main segments of the film consist of stories set during the Dawn of Man, the Roman Empire, the Spanish Inquisition, and the French Revolution. The film also contains several other intermediate skits including reenactments of the giving of the Ten Commandments and the Last Supper.

The Dawn of Man
A group of cavemen (led by Sid Caesar) depict the invention of fire, the first marriages (the first “Homo sapiens” marriage which was swiftly followed by the first homosexual marriage), the first artist (which in turn gives rise to the first critic), and early attempts at comedy and music, by smashing each other's feet with rocks and thus creating an orchestra of screams.
[edit] The Old Testament

Moses (Mel Brooks) is shown coming down from Mount Sinai after receiving the Law from God (the voice of an uncredited Carl Reiner). When announcing the giving of the reception of the law to the people, Moses proclaims “The Lord Jehovah has given unto you these fifteen...” (whereupon he drops one of the tablets, which promptly shatters) “Oy...Ten! Ten Commandments! For all to obey!”

The Roman Empire

Comicus (Brooks again), a stand-up philosopher, acquires a gig at Caesar's palace. En route to the palace Comicus meets and falls in love with a Vestal Virgin named Miriam (Mary-Margaret Humes) and befriends an Ethiopian slave named Josephus (Gregory Hines). Josephus is conscripted into the service of the Empress Nympho (Madeline Kahn). Comicus' arrival at Caesar's palace was filmed at the Caesars Palace hotel in Las Vegas.

At the Palace, Emperor Caesar (Dom DeLuise) listens to Comicus’ performance. Comicus soon forgets his audience and begins to joke about Caesar's obesity and corruption. Josephus absentmindedly pours a jug of wine into the emperor’s lap and Caesar orders Josephus and Comicus to fight to the death in a gladiatorial manner. They fight their way out of the palace, assisted in their escape by Miriam, Empress Nympho and a horse named Miracle.

The group is chased by several Roman soldiers. Josephus instructs them to pull over and requests lots of papyrus. He takes 'Roman Red' marijuana growing alongside the road and rolls it into the papyrus, forming a device he calls Mighty Joint, sets fire to it and mounts it to the back of their chariot trailing smoke into the chasing army. The resulting smoke causes the trailing Roman army to appear confused and incapacitated. The group then sets sail from the port to Judea. While waiting tables at a restaurant, Comicus blunders into a private room where the Last Supper is taking place, interrupting Jesus (John Hurt) repeatedly. Eventually Leonardo da Vinci (Art Metrano) arrives to paint the group’s portrait. Dissatisfied that he can only see the backs of half of their heads, he has them move to one side of the table.

The Spanish Inquisition

The Spanish Inquisition segment is performed in the style of a grandiose Busby Berkeley production. The segment is one long song-and-dance number featuring Brooks as the infamous Torquemada. The segment opens with a herald introducing Torquemada and making a play on his name, noting that despite the pleas for mercy from the condemned, that you "can't Torquemada anything" (talk him outta anything). Several instances of "comical" torture are shown including a spinning iron maiden and "water torture" re-imagined as an Esther Williams-style aquatic ballet. Jackie Mason has a cameo in this scene as a Jewish torture victim.

The French Revolutionn

In the tavern of Madame Defarge (Cloris Leachman) she incites a mob to plot the French Revolution. Meanwhile, King Louis of France (Brooks again) is warned by his advisor, the Count de Monet (Harvey Korman), with the news that the peasants do not think he likes them—a suspicion reinforced by the king's use of peasants as clay pigeons in a murderous game of skeet. A beautiful woman, Mademoiselle Rimbaud (Pamela Stephenson), asks him to free her father, who has been imprisoned in the Bastille for 10 years. He agrees to the pardon under the condition that she have sex with him that night.

De Monet manages to convince the king that he needs to go into hiding and that they will need a stand-in to pretend to be him. Thus Jacques (also Brooks), the garçon de pisse is chosen to impersonate the real king. Later that night, Mlle Rimbaud, unaware of the subterfuge, arrives and offers herself to the piss-boy dressed as the king. As she invites him to take her virginity, he pardons her father without requiring the sexual favors. After Mlle Rimbaud and her senile father (Spike Milligan) return from the prison, the peasants burst into the room and capture the piss-boy “king” and Mlle Rimbaud. They are taken to the guillotine, where just as Jacques is about to be beheaded, Miracle suddenly arrives, drawing a cart with Josephus driving. They are saved, riding away in the cart. The last shot is of the party approaching a mountain carved with the words “THE END.”

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